The dance-fashion pas de deux
byA new exhibit at The Museum at FIT plumbs the symbiosis between ballet’s central figure, the ballerina, and fashion designers in the half-century between the 1930s and ’80s.
A new exhibit at The Museum at FIT plumbs the symbiosis between ballet’s central figure, the ballerina, and fashion designers in the half-century between the 1930s and ’80s.
The “60 Minutes” correspondent has come full circle as a grandmother.
A fashion designer has months to prepare for a couture show. The hair stylist will have the chance to review the collection and the…
It was Louis Arpels of Van Cleef & Arpels who collaborated with New York City Ballet co-founder George Balanchine on the 1967 work “Jewels,”…
Zip necklaces. Ballerina clips. Dazzlingly compact minaudières. Watches whose hands evoke the filigree flitting of fairies. And jeweled chrysanthemums and dragonflies whose velvety textures…
Sin — the ultimate pastime. Certainly, the Fairfield/Westchester Museum Alliance must think so. Throughout the summer, the alliance, which consists of eight venues in…
Not many ballet dancers have degrees from Harvard. But then, Damian Woetzel – artistic director of the Vail International Dance Festival in Colorado –…
By Ronni Diamondstein The Prodigal Son has always resonated deeply with Edward Villella. It was one of his greatest roles at the New York…
Sterling Hyltin, a principal dancer with the New York City Ballet, is as good as her name – a graceful ballerina known for her…
How excited are we at WAG to see that Chase Finlay has been promoted from soloist to principal dancer at the New York City…
With an impressive resume and large design team under his wings, Marc Happel, director of costumes at New York City Ballet, understands the ins and outs of costuming in musical theater, film, opera and ballet. This summer he’s collaborating with fashion designer Valentino to create costumes for NYCB’s star-studded Sept. 20 gala.